Figure 1. What four studies measured
Each study measured a different outcome, in its own units and on its own schedule, so the results answer different questions.
| Study | Listeners and music | How often heard | What was measured | What was found | What it cannot show |
|---|---|---|---|---|---|
| S2 | 2017 liking study: 15 listeners; 40 examples | Plays 1, 10, 19 and 28 over about four weeks | Liking rating from 0 to 10 | Liking rose with more plays (omega-squared 0.197: plays accounted for about a fifth of the variation) | No universal exposure curve |
| S4 | 2019 brain-recording study: 40 participants in two groups; 8 or 12 excerpts | Three repeats in a row per excerpt | How closely listeners' brain signals moved together (EEG) | Brain-signal alignment fell for familiar-style music and persisted for unfamiliar-style music | No validated measure of boredom or value |
| S5 | 2023 earworm study: 44 participants; four sung choruses | One to four plays; test one day later | Recall of items in order, plus 0 to 100 ratings | More plays tended to increase interference with recall for some songs | No reliable earworm rule |
| S6 | 2024 melody-perception study: 96 recruited; two excluded; 96 excerpts | Two rating blocks; the number of plays was not varied | Five-point ratings, analyzed with statistical models | How listeners perceived a melody carried several links between its measured features and liking | No claim that more plays cause any effect |
- Does not prove
- That more exposure has one meaning, that prediction determines pleasure or that a universal exposure curve exists
- Scope
- Four studies published from 2017 through 2024 using adult listener samples
- Units
- Study-specific ratings, EEG correlation, serial recall and model estimates
- Denominator
- S2: 15 listeners; S4: 40 participants; S5: 44 participants; S6: 96 recruited with two excluded
- Date
- Sources checked 1 September 2026
- Transformation
- Each study's published schedule, direction of effect and statistics are restated as reported. Nothing is normalized, meaning rescaled onto a common scale, and no unpublished means are estimated
- Uncertainty
- Each row keeps its own design, population, unit and limitation
- Limitations
- This is not a meta-analysis, which would pool the studies. What each study measured, and the size of each effect, are not comparable across rows.
Sources
- Repeated Listening Increases the Liking for Music Regardless of Its Complexity. Frontiers in Neuroscience. Published 2017-03-31; observed 2026-09-01.
- Music synchronizes brainwaves across listeners with strong effects of repetition, familiarity and training. Scientific Reports. Published 2019-03-05; observed 2026-09-01.
- The song that never ends: The effect of repeated exposure on the development of an earworm. Quarterly Journal of Experimental Psychology. Published 2023-01-09; observed 2026-09-01.
- Perceptual representations mediate effects of stimulus properties on liking for music. Annals of the New York Academy of Sciences. Published 2024-02-06; observed 2026-09-01.